Check out these anti aging images:
Birth of the mysterious Alchemical Sentinels / Naissance de mystérieuses Sentinelles Alchimiques DDC_9663
Image by Abode of Chaos
Birth of the mysterious Alchemical Sentinels
3 months working day and night with an exceptional “dream team"… a big thank you to ACS, Luc, my trusty Giant who could lift a juggernaut onto a balcony (QED Thierry Loir) Thomas Cart’1, Goin, and of course Marc for the paints.
I have managed to set up my installation of 99 raw steel sculptures with an incredibly demanding specification: none of the 3600 work on the DDC site were to be hidden… we had to think about power sources, water crossings, access for construction machinery including the telescopic booms (3m wide)… public safety, ERP museum standards, etc, … constantly alternating between the visible and the invisible…
Are they inhabited? I don’t know. One thing is certain: each sentinel stands as a unique sculpture in terms of its alchemical elements and paintwork (either with anti-rust paint or voluntarily with paints that do not resist rust). This autumn, each sentinel will reveal – with the acid rain – different interpretations, depending on the paints and solvents used, making each one different, with stratifications that future archaeologists will decipher.
But my most perilous challenge was to create a giant (9000 m²) installation that envelops the Abode of Chaos with dozens of tons of steel, so that my visitors, from any angle, enter a dreamlike fantasy and where the world of the Abode of Chaos on the one hand and that of the 99 monumental sculptures (named "Alchemical Sentinels" during an extremely busy night ) intersect like the Inframince defined by Marcel Duchamp (or, how to build intensities by subtraction).
These 99 Alchemical Sentinels are now the guardians of the Sanctuary that the Abode of Chaos has become. I designed them as veritable quantum energy wells that we placed with patience and wisdom at different spots all over the Abode of Chaos.
There are 99 in total, made of 10mm rough steel (50 tons), welded to form perfect equilateral triangles. Each of the three sides constituting an Alchemical Sentinel is itself cut to reveal a meurtrière, again in the shape of an equilateral triangle, presenting a superb Euclidean geometry to the visitor.
These 99 Alchemical Sentinels are each placed at specific energy points on the 9000 m² of the Abode of Chaos. Some are hidden by vegetation or natural landforms or are placed in relation to existing works. Others are located in our private and professionals spaces.
In my alchemical work that began on 9 December 1999, the three gates arranged in an equilateral triangle with one vertex pointing upwards, form the luminous delta. They represent the three elements that alchemists work with. These three elements are sulphur, mercury and salt.
Note that the three elements found in the Prima Materia (or Alchemical Chaos) are very closely related. The point triangle is also the symbol of the fire philosophers.
The equilateral triangle resting on its base – like the three points – is the symbol of the fire element, one of the four elements that the alchemist works with in the laboratory.
The geometric properties of the equilateral triangle evoke absolute perfection by their spiritual strength and their age-old symbolism going back to ancient Egypt… strength, beauty and harmony.
They will remain for a thousand years as witnesses to a civilization lost through the folly of men.
3 mois de travail jour et nuit, une "dream team" hors du commun, un grand merci à ACS, Luc, mon fidèle Géant qui poserait un 38 T. sur un balcon (cqfd Thierry Loir) Thomas, Cart’1, Goin et bien sûr Marc pour les peintures.
Je suis arrivé à poser mon installation de 99 sculptures d’acier brut avec un cahier des charges de ouf, aucune des 3600 œuvres de la DDC ne devaient être occultées, penser aux sources électriques, les passages d’eau, les voies de transport pour engin de chantier, les nacelles télescopiques (3m de large), protéger le grand public, respecter les normes ERP muséales, etc… Alterner en permanence monstration et effacement…
Sont-elles habitées ? Je l’ignore. Une chose certaine est que chacune, par les éléments alchimiques et les codes peints soit à l’antirouille soit volontairement avec des peintures dégradables par la rouille avec le temps, rend chaque sentinelle comme une sculpture unique. Cet automne chaque sentinelle va laisser apparaître, avec les pluies acides, différents niveaux de lecture, selon les peintures et solvants utilisés, les rendant singulières avec des stratifications que les archéologues des temps futurs décrypteront…
Mais mon défi le plus périlleux, était de créer une installation géante de 9000 m2 qui enveloppe, par des dizaines de tonnes d’acier, la Demeure du Chaos pour que mes visiteurs sur 360 degrés, plongent dans un univers onirique et fantasmagorique où les deux univers que sont la Demeure du Chaos d’une part et d’autre part l’installation des 99 sculptures monumentales (baptisées par une nuit très agitée "Sentinelles Alchimiques") s’entrecroisent selon l’Inframince définit par Marcel Duchamp (ou comment construire des intensités par soustraction).
Ces 99 Sentinelles Alchimiques sont désormais les gardiennes du Sanctuaire que représente la Demeure du Chaos. Je les ai conçus comme de véritable puits d’énergie quantique que je pose avec patience et sagesse sur l’ensemble de la Demeure du Chaos.
Elles sont au nombre de 99, faites d’acier brut de 10 mm (50 tonnes) soudées pour former un triangle équilatéral parfait. Chacun des 3 pans constituant une Sentinelle Alchimique, est lui même découpé pour laisser entrevoir une mystérieuse meurtrière, elle même en forme de triangle équilatéral, donnant ainsi une géométrie Euclidienne au regard du visiteur.
Ces 99 Sentinelles Alchimiques sont chacune à des points d’énergie particuliers de la Demeure du Chaos sur 9000 m2. Certaines se dissimulent par la végétation ou les reliefs naturels ou bien en écho aux autres œuvres, d’autres sont dans les espaces privatifs ou professionnels.
Dans mon travail alchimique démarré le 9 décembre 1999, les trois portes disposées en triangle équilatéral, dont un sommet est dirigé vers le haut, forment le delta lumineux. Elle sont les trois corps sur lesquels l’alchimiste va œuvrer. Ces trois corps sont le soufre, le mercure et le sel.
Soulignons que les trois corps présents dans la Materia Prima ou Chaos alchimique sont étroitement mélangés. Le triangle de point est aussi la marque des philosophes par le feu.
Le triangle équilatéral reposant sur sa base, à la manière des trois points, est le symbole de l’élément feu, l’un des quatre éléments avec lequel l’alchimiste travaille au laboratoire.
Les propriétés géométriques du triangle équilatéral relèvent de la perfection absolue par sa force spirituelle, son symbolisme de la nuit des temps notamment dans l’ancienne Egypte, il est force, beauté et harmonie.
Elles resteront durant mille ans comme les témoins d’une civilisation disparue par la folie des hommes
Sailor Jerry Car
Image by RichDelux
’59 Bel-Air wrapped for Sailor Jerry Rum, in the French Quarter.
Norman Keith Collins (January 14, 1911 – June 12, 1973) was a prominent American tattoo artist, known very well for his tattooing of sailors; he was also known as "Sailor Jerry".
Collins was born on January 14, 1911 in Northern California. As a child he hopped freight trains across the country and learned tattooing from a man named "Big Mike" from Palmer, Alaska. Practicing on drifters, he later sailed the Pacific Ocean before settling in Hawaii. A big brute with a dirty mouth, he often wore plain white T-shirts that exposed his ink-sleeved arms. Mike Malone, who took over Sailor Jerry’s shop after he died, described Jerry as "a class-A pirate".
At age 19 Collins enlisted in the United States Navy. During his subsequent travels at sea he was exposed to the art and imagery of Southeast Asia. He remained a sailor for his entire life thereafter. Even during his career as a tattoo artist he worked as a licensed skipper of a large three-masted schooner, on which he conducted tours of the Hawaiian islands.
Sailing and tattooing were only two of his professional endeavours. He played saxophone in his own dance band and for years frequently hosted his own radio show on KTRG (AM). He was a prolific writer and carried on in-depth communications with many pen-pals throughout the world.
Legacy of Sailor Jerry
Collins entrusted his artwork to his two protégés, Ed Hardy and Mike Malone, both of whom have become prominent figures in their own right. Hardy, who turned down an MFT scholarship to Yale in order to pursue tattooing, is known for his artistic sophistication and large-scale tattoos. Malone, who designed under the name "Rollo Banks", and was known for his conceptual boldness and distinctive designs, died in 2007.
Norman Collins is buried in the National Memorial Cemetery of the Pacific, a military cemetery located in Punchbowl Crater in Honolulu. His grave site is 124/Section T.
In 1999, Hardy and Malone partnered with a small independent Philadelphia clothing company to establish Sailor Jerry Ltd., which owns Collins’ letters, art, and flash, and produces clothing and an idiosyncratic collection of other items, such as ash trays, sneakers, playing cards, church keys and shot glasses. As an anti-sweatshop company, Sailor Jerry Ltd. produces nearly all its items in the United States. Items are sold on the company’s web site or from the Sailor Jerry Store at 116 S. 13th Street in Philadelphia, which frequently plays host to performances by independent musicians. The company also showcases rising talents with its "Artist Series", which it describes as a way to "keep Sailor Jerry’s legacy alive and kicking".
Sailor Jerry Ltd. produces a 92 proof spiced Navy rum featuring a quintessential Sailor Jerry hula girl on the label. As the bottle is emptied, additional Pin-up girls designed by Sailor Jerry are visible on the inner side of the label. The rum is distilled in the U.S. Virgin Islands. It takes its influence from Caribbean rum, which sailors would spice with flavors from the Far East and Asia to make it more enjoyable to drink.
Street Art – Crosses Green, Cork.
Image by infomatique
Cork is the second largest city in the Republic of Ireland
If you ever get the opportunity to do so you should visit the City of Cork but Don’t visit this week as the city will be locked down for the Queen of England’s visit in one of the security operations the city has ever seen.
This coming friday The Queen and the Duke of Edinburgh will visit the English Market and UCC’s Tyndall research institute on the final leg of their four day state visit to Ireland.
Cork was originally a monastic settlement founded by Saint Finbarr in the 6th century. Cork achieved an urban character at some point between 915 and 922 when Norseman (Viking) settlers founded a trading port. It has been suggested by many historians that, like Dublin, Cork was an important trading centre in the global Scandinavian trade network.
The city was once fully walled, and some wall sections and gates remain today. For much of the Middle Ages, Cork city was an outpost of Old English culture in the midst of a predominantly hostile Gaelic countryside and cut off from the English government in the Pale around Dublin. Neighbouring Gaelic and Hiberno-Norman lords extorted "Black Rent" from the citizens in order to keep them from attacking the city. The Cork municipal government was dominated by about 12–15 merchant families, whose wealth came from overseas trade with continental Europe – in particular the export of wool and hides and the import of salt, iron and wine. Of these families, only the Ronayne family were of Gaelic Irish origin. The medieval population of Cork was about 2,100 people. It suffered a severe blow in 1349 when almost half the townspeople died of plague when the Black Death arrived in the town. In 1491, Cork played a part in the English Wars of the Roses when Perkin Warbeck a pretender to the English throne, landed in the city and tried to recruit support for a plot to overthrow Henry VII of England. The mayor of Cork and several important citizens went with Warbeck to England but when the rebellion collapsed they were all captured and executed.
A description of Cork written in 1577 speaks of the city as, "the fourth city of Ireland" that is, "so encumbered with evil neighbours, the Irish outlaws, that they are fayne to watch their gates hourly … they trust not the country adjoining [and only marry within the town] so that the whole city is linked to each other in affinity"
The city’s charter was granted by King John in 1185. The title of Mayor of Cork was established by royal charter in 1318, and the title was changed to Lord Mayor in 1900 following the Knighthood of the incumbent Mayor by Queen Victoria on her visit to the City.
In the War of Independence, the centre of Cork was gutted by fires started by the British Black and Tans, and the city saw fierce fighting between Irish guerrillas and UK forces. During the Irish Civil War, Cork was for a time held by anti-Treaty forces, until it was retaken by the pro-Treaty National Army in an attack from the sea.